I've been to the theatre in Leeds this afternoon, to the Playhouse to be precise to see 'THATCHER The Musical' an all singing, all dancing satirical look at the life Of Margaret Thatcher. I went with a friend who when she was in her early fifties did an open university degree and obtained a Bsc in Biology then in her early 60's she is regularly running half marathons and in between she spent 10 years working in the supermarket filling up shelves with sliced bread!! It's only now that she has retired she is wondering why
she did that job for all that time in the twilight of her working years. ..anyway I digress...
We met in Leeds and had a lovely bowl of homemade soup in the Playhouse cafe where we caught up on the goings on in our respective lives as we only meet up occasionally.
I didn't know what to expect of the production which was performed by an all woman cast from The 'foursight' company but it was full of surprises right from the beginning.
A huge handbag is pushed onto the stage and opens up to reveal Maggie sitting inside it. This is Narrator Maggie, played by Sarah Thom who remains onstage almost throughout. She gives a plausible performance of Maggie as an octogenarian, slightly unsteady on her feet but still showing the battling qualities for which Mrs Thatcher is best known.
The play is vibrant and funny and portrays the best bits of Maggie's long life, with nine actors playing the Grantham grocer's daughter at different points in her mainly political life before all of them appear on stage as Mrs T for the finale.
Apart from the handbag, there's a basic set with an elevated door to Number Ten taking up a strategic central position and little else, although the accompaning organ at one point spins around to become a tank. This is at the point in the show when Maggie's popularity as prime Minister is at an all time low, Maggie the narrator declares "A war fell right into my hands, it threw me a lifeline, it worked for me Tony...the secret is.. to be under attack!"
The 'Foursight' actors specialise in physical theatre, they adopt different facial expressions and add a pair of glasses to turn into different characters.
Highlights of the show are MPs on opposing sides in the House of Commons being portrayed as dogs baying at one another; the Maggie who belts out a punk rock song in the style of Johnny Rotten; and the troubled times of Maggie's leadership which are represented by a storm at sea. There is also a skit on the miners strike and a fight ensues between Arthur Scargill and Maggie (very funny...the sketch that is; not the real life events)
All in all not a bad afternoon's entertainment for a £5 stand by ticket
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- 2006-11-16 @ 20:54:33
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- 2006-11-16 @ 21:03:46
Yes, it was good..different.
It is touring so could be.
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- 2006-11-16 @ 21:15:42
sounds like crap to me have you seen tony the true story thrue the eyes of gordon brown
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- 2006-11-16 @ 21:22:17
Ah well, you see 'tis only my account of the show that's crap.
One shouldn't really speculate
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- 2006-11-16 @ 22:47:41
Sounds like there was some imaginative scene and character development. I wouldn't mind seeing the production but I do have memories of how angry she made me feel, so much so, I could not bring myself to be introduced to her when the occasion (unplanned) arose. I wonder if those emotions would be revived.
I was close the the miner's strike, saw the effects of her social policies, was acutely aware of Thatcher's denigration of our teachers, hospital staff, community and social workers then, she started on industry. There was nothing to be proud of or funny about any of those things, nor the 'shooting in the back' of the Belgrano during the Falklands conflict. I can see parallels to elements of the conflict in Iraq here. There is no doubt we went through a major social and industrial revolution manipulated by her and her dogma. I think you have to be distanced enough from all that which occured, to absorb the 'black' humour.
We are still living with the legacy of Thatcher's reforms; some were necessary but others were downright inhuman. There were no doorstep sleepers in central London and no visible begging till 1987. I wonder how long it will be till some of the continuing imbalances in the system are balanced out?-
- 2006-11-16 @ 23:26:45
I hear what you say Menhir. There were many socialists in the northern theatre who were hoping for a Thatcher character assassination but the production neither glorifies or attacks the iron lady's legacy. Throughout the play several themes cropped up, the main one being her all out war with socialism/communism, it satirised her "reign" in a skitty but factual way.
The overtones at the end of the play gave strong emphasise to the continuing legacy of the Thatcher years with another one of the 'Thatcher character's' lines being "\\Foundation hospitals, that could have been my idea\\"
There is no disputing she is/was a very despised and dogmatic woman whose name still provokes very strong reactions today.-
- 2006-11-16 @ 23:31:10
Agreed, however, I wonder how history will view her and her revolutions.
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- 2006-11-18 @ 13:06:04
your friend who did her degree in her 50's encouraged me.
Thatcher! She's my friend,Snidge's heroine, he would love that play. I must apologise for Snidge's politics. I remember he was told, 'you are everything Mrs Thatcher would hate, an homosexual artist on the dole' but for some perverse reason he thought she was wonderful.-
- 2006-11-19 @ 00:04:39
Yes, it's odd isn't it? Margaret Thatcher makes an unlikely gay ikon, unlike Barbra Streisand, Judy Garland and Cher.
Maybe it was her dominance or the fact she can change her voice from a high tone to a much deeper drawl...
welshceltgirl

Sounds good - I don't suppose it is ever coming to Cardiff?
I must google it....